Japanese post-rock masters Mono have just announced another stint in North America for next spring after their recent east coast run a couple months ago. Supposedly they’re coming to the States in April to record their follow-up to 2012′s For My Parents and following that with a tour going through the South, making a stop at Austin Psych Fest, and creeping up the west coast, ending in Vancouver. Luckily two of those dates are in my area, so I might have to hit up one of those shows. Full itinerary of tour dates after the jump. Continue reading »
New York’s purveyors of dreamy, post-blackened greatness So Hideous have just unleashed a new track from their astonishing new record Last Poem/First Light, which is due out later this month. If you’re anything like me, then you have to check this out. Continue reading »
When I wait on an album, I don’t exactly wait. Being that I am an extremely patient person, some find it strange that I freak out when I have to wait on music. I don’t like waiting for an album that I know is going to change my life. I don’t. This year I have had many instances in which I had to wait to get an album. Sometimes the albums slip past me and sometimes I stick to my guns and sit it out. I have been waiting on the debut full-length album from So Hideous, My Love ever since I finished listening to their EP To Clasp A Fallen Wish With Broken Fingers in 2011. Not a week goes by that I don’t listen to those four songs. Not a week. Continue reading »
I first caught sight of the mysterious and strange Darkentries randomly browsing through the b9 forum of all places one insomnia-infused night. Presenting a corrosive amalgamated mixture of sludge, post-metal, shoegaze, noise and black metal, the noisy South Carolinian group definitely caught my ears…until they ended up bookmarked in a Chrome folder and promised the self-preserving lie that they would be checked out sometime later that week. While time and other music pursuits made me lose track of the group, their experimental focus and drive to exist eventually drew them to an exclusive debut song stream on CVLT Nation this morning and out of curiosity, I decided to check them out again.
Darkentries apparently have a new record coming soon entitled The Make Believe and the first poisonous injection off it, a track by the name of “1200-S”, has seen the group reinvented once again. What I once had some words and some relational understanding for can now only be understood in my mind as Battle Of Mice dragged through the depths of hell and back. And even then, I don’t really know. Anyhow, definitely keep this band on your radar and stream “1200-S” below or at CVLT Nation here. Darkentries can be followed via their official Facebook page here.
Philadelphia, PA shoegaze group Nothing have officially signed to Relapse Records with plans for the release of the group’s sophomore full length record, Guilty Of Everything, this upcoming January. Alongside the announcement also comes the debut single off of Guilty Of Everything, the track “Dig”, which can be streamed below and downloaded for a flat buck. Tact but nonreliant solely on the nostalgic depression and gloom of shoegaze, “Dig” builds on the sound to more expansive and turgid heights. Follow Nothing via their official Facebook page here and be sure to check them out on their currently ongoing tour with peers Whirr, details after the jump.
By Lane Oliver
Minneapolis based metallers Morality Crisis were first brought to my attention last year when the band released their killer four track EP, North. The band’s genre-bending yet sludge metal centric tunes left me desiring more of their volatile music and irreverent sense of humor. After two solid EP’s it was high time for Morality Crisis to try their hand at a full length debut and sure enough they delivered one this year. The curiously named Boats features seven new tracks of heavy, chaotic and wacky material. The album is unfortunately brief but extremely worthwhile and memorable all the same.
Making lists always makes my head hurt and this year’s massive inventory of beautiful releases isn’t making that any easier. With my “to-check-out” list filled to the brim, I have to say that I took a bit more relaxed stance to music discovery this year and enjoyed select releases over extremely long durations of listen rather than hunt down and chronicle as many good albums as I could. The albums in the list below here are those releases. Give them a thorough listen before the end of the year if you can. Continue reading »
By Lane Oliver
Before the final moments of Sunbather were exhausted I had come to the realization that I had stumbled upon something monumental. I am very skeptical of any album that receives enormous amounts of praise but this record defied my expectations completely. Deafheaven took the skeleton of Roads to Judah, smoothed out the rough edges and allowed their sound to progress and expand into what would come to be Sunbather. Throughout those sixty minutes I was completely engulfed in an intense blinding light that filled me with a great warmth and feeling of euphoria; thus is the power of Sunbather. Deafheaven have discovered greatness and you should probably believe the hype.
The shoegaze titans My Bloody Valentine have announced a North American tour, in addition to their current Europe and Asia stint, in support of their new record MBV. Check out the entire list of tour dates and jam a track from the new record below.
Noisey have premiered a new track from Texas based “stonegaze” trio True Widow from their upcoming album Circumambulation. The delightfully slow-burning, chill jam that is “HW:R” can be streamed at the end of this post. Pre-orders for Circumambulation can be purchased at at this location.
Circumambulation will be released on July 23rd.
The shoegaze infused black metallers Deafheaven have released the first cut from their highly anticipated new record, Sunbather, which will be released on June 11th. The track is called “Dream House” and it is nine minutes of awe-inspiring layered melodies dripping with black metal speed and attitude. It’s quite a gorgeous and exhilarating track. Head on over to NPR to check it out!
Prepare for shoegaze haven. Northern California’s Whirr and Philadelphia’s Nothing are going on a eighteen date March U.S. tour sure to onset relapsed depression and insomniac television marathons. Nothing have stated that South By Southwest dates of the tour will be updated in the upcoming week while Whirr has stated that the dates are final so be sure to follow both Whirr and Nothing on Facebook for updates. Whirr’s most recent release was Distressor(Tee Pee Records) and Nothing’s most recent release was Downward Years To Come(A389 Recordings). Check out the full tour circuit and a stream of both albums below. Continue reading »
By Lane Oliver
Bauda may not ring a bell with most of you reading this but after you have finished listening to them, you will not forget them. Bauda is a three piece progressive outfit based in Chile whose new record, Euphoria…of Flesh, Men and the Great Escape, is a memorable fifty-nine minute excursion into the vast realms of unmatched beauty and emotional triumph. The record’s theme revolves around an old whaling station in Chile and the extermination of whales. Bauda carefully uses melody and tension to replicate the emotions created by the lyrics and theme in this very cinematic album.
Kingston, PA post-hardcore/pop punk group Title Fight are poised to go embark on an extensive eighteen date tour extending from Western Canada to the U.S. starting off this month on the 11th. Some of those dates will see Title Fight supported by Vancouver, BC pop punkers Living With Lions while others will see Title Fight supporting the recently reformed hard rock legends, Quicksand. Peep the full tour details below as well my favorite song from Title Fight’s latest release, Floral Green. Continue reading »
Hot on the heels of their split with Bosse-de-Nage, San Francisco’s Deafheaven will be heading to the studio in January to record a new full length that will bear the title Sunbather. The band will once again work with Jack Shirley on the production of the record and will see a release sometime in Spring of next year. Vocalist Gregory Clarke commented on the sound the new record will produce: