Midwest blackened death/grind hybrids Immortal Bird have announced the release of their debut full-length and follow up to their 2013 Akrasia EP. Titled Empress/Abscess, the five-track album was recorded with Pete Grossmann (Weekend Nachos, etc) and mixed and mastered by Colin Marston. The EP will feature a guest appearance by John Hoffman of Weekend Nachos and will see drummer/vocalist Rae Amitay switching to a full-time position as vocalist. She elaborates:
“I’ve stepped away from drumming duties and enlisted our live drummer, Garry Naples (Novembers Doom). Essentially, I had to set my ego aside and determine what was going to be the best for this music. [Guitarist] Evan [Berry] and I wrote some incredibly challenging material for Empress/Abscess, and Garry had been playing it live for months, whereas I’d been focusing a lot of my drumming energy on the newest Thrawsunblat album. My chops are in a very different place than they were when we recorded Akrasia and it would take me a week in the studio to do what Garry can accomplish in two days. Having him behind the kit saved us time, the finished product is stronger, and I was able to delve into the vocal performances and lyrics with my undivided attention. Will I play drums on future Immortal Bird albums? It’s entirely likely, but for Empress/Abscess, I passed the sticks over to the best person for the job.”
An official release date is still pending, but Empress/Abscess is expected to drop sometime in June. The band will also be embarking on their “Western Migration” tour later this month. Those dates can be found after the break.
SPINE are a hardcore group based out of Kansas City, MO and Chicago, IL, consisting of current and former members of Weekend Nachos, Harm’s Way, SorryXExcuse, Blindside USA, Kicked In, Last Laugh and Keef Mountain. Despite maintaining a part-time status, the group have managed to enjoy a rich career since their debut in 2011. They’ve carved out a viable live reputation, released a split with legendary Chicago maniacs The Repos, have entered the lexicon of contemporary musician/stand-up comedians and have been part of plans by Mikhail Gorbachev to be sent to the moon. With the recent release of their debut LP, Time Has Gone, I had the opportunity to talk with their lead vocalist, Antonio Marquez about all of the above in addition to quips about the record, arm-wrestling with Zero Progress (R.I.P.) Matt “The Champ” Saincome, acting, socks, Pepsi, gwapes, communism, making the best of lyrical content and barbecue.
Kansas City/Chicago “skin” hardcore group Spine (members of Weekend Nachos, Sorry Excuse) have made available for stream “Counterfeit”, the first single off of their upcoming, long-delayed and awaited debut LP, Time Has Gone. The full record will be made available sometime in November on John Nachos’s label Bad Teeth Recordings with a record release show set for the 15th of that month in Kansas City. In addition, the band have announced plans for a California weekend tour in December. Stream the vicious “Counterfeit” below and follow Bad Teeth Recordings here for the latest updates on Time Has Gone as well as all future Bad Teeth releases.
Spine’s latest release was their split with The Repos, out last year on Bad Teeth Recordings.
Hello again, fellow Aftermathers! My prolonged absence from the American Aftermath world officially ends NOW with this penultimate annual post, a small but personally necessary pittance to the plentiful albums and artists that sustained me throughout this most bountiful year in extreme music. The following thirty item list reflects full-length albums only with an aural adherence to the hardcore and powerviolence realms as per my listening habits this year. A ton of awesome death metal revivals as well as resurgences from other notables in the general metal realm happened this year (Gorguts, Carcass, The Dillinger Escape Plan, Ulcerate etc.) of which I listened(or rather actively listened) to practically NONE. I simply wasn’t feeling it at this year and intend to return to survey these releases at another time. Thanks to the Aftermath crew especially Ross Gnarly, Lane “The Machine” Oliver, and Josh Huddleston, the bands and musicians, and last but not least, you, the readers! Peep the list after the jump. Continue reading →
This has been an amazing year for music. Not just metal, but a great year for all styles and genres. I have enjoyed so many different styles of music this year as well as many, many artists within each style and it was a real pain for me to make this list. I keep this list simply to full-length albums (or LPs, kids). I used to keep it strictly metal when it came to this list and I would weed out rock for its own list, but this year I included non-metal stuff on my list as well. Not a lot of non-metal, but some nonetheless. Continue reading →
The time is here: the long anticipated new album from Chicago-based powerviolence quartet Weekend Nachos is being streamed via SoundCloud thanks to good ol’ Relapse Records! Get some of this blisteringly heavy, beat-you-in-the-face hardcore for yourself after the jump!
Powerviolence powerhouse Weekend Nachos is a crowd favorite around the American Aftermath camp and I know we are all stoked to hear the bands forthcoming album Still, which is due out in November. So far we have heard two tracks from the album: “S.C.A.B.” and “Satan Sucker” (see here) and now the grinding madness continues!
Yes! Weekend Nachos are streaming yet another blistering slab of grind from their new album and it is a must hear! Continue reading →
Gnarly powerviolence powerhouse Weekend Nachos are prepping the release of a new album called Still in November, as Lane told you all here and they are currently giving each and every one of you two of the tracks from the album. For free! Aren’t these guys just classy as fuck? And they’re not even making you jump through hoops to get the tracks! You can stream one of the songs after the jump and download both right here.
In addition, the ‘Chos have offered up some tentative tour dates for their upcoming East Coast run, peep those below as well.
Chicago powerviolence outfit Weekend Nachos posted the above photo to their Facebook earlier this afternoon that reveals that their new record, entitled Still, will be released on November 8th. No other info has been released yet but until then, replay “Dubviolence” about two-hundred times.
My first encounter with Weekend Nachos was an advertisement for the album, Worthless, on the side panel of prominent metal blog, Invisible Oranges. But it was just that, an advertisement. At the time, I was an ignorant fuckhead attempting to present myself as a sophisticated underground death metal hipster. Luckily, that transformation never fully occurred and in a move of self-rediscovery to reclaim all I had lost in my egotistical musings, I turned to hardcore. Aiding that transition back to the mosh was none other than Weekend Nachos, a band whose brash juxtaposition of the ridiculous with an inane amount of vitriol and hatred would lead them to become one of my favorite bands ever. I recently had the chance to interview John Hoffman, lead vocalist and prominent song-writer of Weekend Nachos, to talk about the band’s upcoming record, the Weekend Nachos theme park, Attack Attack, the one time John met Robert Englund, the ethics and function of labels and more. Check it all out after the jump.